A bit of information concerning fanlistings in general and the soundtrack of Star Wars Episode I: The Phantom Menace.
The textures used in this layout are from Hybrid-Genesis.
The Fanlistings.org defines fanlistings as "a web clique that lists fans of a particular subject. Unlike most web cliques, a person does not need a web site in order to join. Fans from around the world submit their information to their approved fanlisting and they are then listed to show their love for the subject."
A long time ago in a galaxy far, far away....
Turmoil has engulfed the Galactic Republic. The taxation of trade routes to outlaying star systems is in dispute. Hoping to resolve the matter with a blockade of deadly battleships, the greedy Trade Federation has stopped all shipping to the small planet of Naboo.
While the congress of the Republic endlessly debates this alarming chain of events, the Supreme Chancellor has secretly dispatched two Jedi Knights, the guardians of peace and justice in the galaxy, to settle the conflict.....
(Episode I Main Title)
Star Wars Episode I: The Phantom Menace is a 1999 film by George Lucas starring Liam Neeson, Ewan McGregor, Natalie Portman, and Jake Lloyd. It is the first in a trilogy of films that function as a prequel to the original Trilogy of Star Wars films and, in chronological story order, is the first in a six-part Saga. A 3-D release is planned for 2007.
It is the year 32 BBY (or, 32 years prior to Episode IV), and a trade dispute between the Trade Federation and the planet of Naboo has led to a blockade of the planet. Chancellor Valorum of the Galactic Republic secretly sends two Jedi Knights, Obi-Wan Kenobi and Qui-Gon Jinn, to resolve the dispute. Unbeknownst to them, the Trade Federation is in league with the mysterious Darth Sidious, who secretly orders an invasion of Naboo and the killing of the two Jedi upon their arrival. Qui-Gon and Obi-Wan escape the assassination attempt by the Federation and flee to the surface of Naboo.
On the planet's surface, the Jedi meet local native outcast Jar Jar Binks, who brings them to an underwater Gungan settlement to escape the Trade Federation army. Meanwhile, the Trade Federation invades Naboo and captures their leader, Queen Amidala. The Jedi meet the Gungan leader, Boss Nass, and ask him to help the people of Naboo, but Nass refuses and sends them off in a submarine. The Jedi, with Jar Jar Binks in tow, reach the capital of Naboo and rescue Queen Amidala from the Trade Federation droid army. They depart for Coruscant, the Galactic Republicís capital planet, to ask for help from the Senate. A droid named R2-D2 heroically repairs the Queen's starship as they narrowly escape an attack from the Federation base ship.
Due to the attack, however, the ship is forced to land on the desert planet of Tatooine for repairs. While searching for needed parts, they befriend young Anakin Skywalker, a slave boy, whose master is Watto, an alien junk dealer. Anakin is gifted with piloting and mechanics (he has built an almost-complete droid named C-3PO). Qui-Gon Jinn senses a strong presence of the Force in Anakin, and feels that he may be the Chosen One who will fulfill a prophecy by bringing balance to the Force. By entering Anakin into a podrace, Qui-Gon orchestrates a gamble in which the boy (alone, since he was unable to include the youth's mother in the bargain) will be released from slavery and they will win the needed parts for their ship. Anakin wins the race and joins the team as they head for Coruscant, where Qui-Gon plans to seek permission from the Jedi Council to train him to be a Jedi. Meanwhile, Darth Sidious sends his apprentice, Darth Maul, to kill the two Jedi and capture the Queen. Maul appears just as the group is leaving the planet, and fights Qui-Gon, who then manages to escape on the ship.
On Coruscant, Qui-Gon Jinn informs the Jedi Council of the mysterious attacker he encountered on Tatooine. Because of his mastery of the Jedi arts, the Council becomes concerned that this may indicate the reappearance of the Sith, a long-gone religious order who followed the Dark Side of the Force. Qui-Gon also informs the Council about Anakin, hoping that he can be trained as a Jedi. After testing the boy and deliberating with one another, the Council refuses, deeming him too old for training according to Jedi Code. They are also concerned due to their sense of what seems to be a clouded future and a strong presence of fear in the boy. Meanwhile, Senator Palpatine (of Naboo) uses Queen Amidala's situation to his advantage by persuading her to call a vote of no confidence in Chancellor Valorum so that he can get himself nominated as the new Chancellor. After doing so, the Queen decides to return to her home planet to repel the invasion of her people. She is frustrated by the Senate's deliberation and lack of action, and feels that by the time Palpatine is elected Chancellor it will be too late. The two Jedi accompany the Queen back to Naboo.
Queen Amidala, back in Naboo, forms an alliance with the Gungan people, uniting in battle against the Trade Federation. After much fighting against the Federation's droid army, defeat for the alliance seems imminent. However, victory is won when young Anakin Skywalker commandeers a fighter and destroys the Federation's droid command ship, rendering the droid army useless. Meanwhile, Queen Amidala and her force fight their way back into the palace and capture the leader of the Trade Federation. At the same time, Darth Maul has been engaging in combat with the two Jedi. He kills Qui-Gon Jinn. Obi-Wan fights Darth Maul with anger, but Darth Maul almost kills him when he pushes him to the ledge in the hole. Obi-Wan jumps up and battles Darth Maul with Qui-Gon's lightsaber, then slays Darth Maul, cutting him in half. Just before passing away, Qui-Gon instructs Obi-Wan to train Anakin to become a Jedi. Obi-Wan gives his word that he will train the boy.
After the battle, the Jedi Council names Obi-Wan a Jedi Knight. Kenobi conveys his masterís wish regarding Anakin Skywalker to Yoda, who reluctantly allows him to become Obi-Wanís apprentice. Qui-Gon is cremated, and Mace Windu and Yoda agree that his death was caused by the Sith. Because there are only two Sith ever at any given time (a master and an apprentice), they believe that there is still another one out there.
The film closes with a large celebration of liberation from the Trade Federation on the planet of Naboo. Queen Amidala presents a gift of appreciation and friendship to Boss Nass.
The Star Wars cycle, George Lucas's stellar pop parable cum merchandising blitzkrieg, has long since made history as an unparalleled cinematic-cultural-marketing phenomena; somewhere Billy Jack should be in one envious, ass-kickin' mood. Phantom Menace, easily the most eagerly anticipated film of the '90s, returns to the saga's roots and allows Lucas to flesh out the history of some of the fable's core characters and conjure up a dazzling new cast of cohorts, antagonists, and alien realms for them to interact with and in. Thus, all composer John Williams had to do was essentially reinvent the world's most popular wheel. The film-scoring legend has admirably risen to that daunting challenge, delivering an inventive score whose dynamics should surprise and delight even the most ardent SW fanatic. The Main Title and a few oh-so-sparing bars of a familiar Jedi theme are all that remains from the original trilogy's lexicon, Williams having evolved the saga's musical language, stylistic reach, and orchestral palette with masterful subtlety. The composer's most ambitious surprise is the welcome addition of strong choral elements, which he uses in ways both majestic ("Duel of the Fates") and menacing ("Passage Through the Planet's Core"). And though the film revolves around a young boy (Anakin Skywalker, who will grow to be both corrupted and redeemed as Darth Vader), the only flirtation with cloying sentimentality comes with the innocently loping "Jar Jar's Introduction." In the tradition of the Cantina and Max Rebo's Band of the previous trilogy, Williams and Lucas close out this musical installment with "Augie's Municipal Band," a Carnivale-esque romp that segues grandly into the composer's swelling title music. Williams may be the master of a grand scoring tradition, but Phantom Menace is gratifying evidence that he seldom plays it safe - even when the Force is with him.
Credit: Jerry McCulley at Amazon.com